This Drifting Excrement Was Way Too Symbolic! It's the Television Disappointments of the Past Year.
Looking back, we reflect on the television landscape of the past year, a handful of shows stand out not for their brilliance, but for their spectacular shortcomings. Ranging from cringe-inducing sequels to bafflingly bad documentaries, here are the productions that had us scratching our heads or just reaching for the remote.
The 'Sex and the City' Sequel
How to start with this love/hate follow-up? Plagued with woeful writing, cringe-inducing character development (justice for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the series struggled to justify its existence. For a moment, as the third season began, it seemed as if it had at last hit its stride. Then came an installment all about Seema’s natural deodorant. No wonder the creator announced this would be the final series. It concluded on a low point; the closeup of Miranda’s toilet flooded with poo was just way too on-the-nose. Yet, viewers certainly had a hoot dissecting every single “what on earth?” episode. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who couldn't let out a little sob?
The Kim Kardashian Drama
‘Can Kim Kardashian act? Of course she can’t.’
But that was practically the least of this show's issues. The subject of a very rare zero star review, it was difficult to know where to begin listing the problems. The laughably wooden dialogue? The mind-numbing veneration of affluence and materialism? The almost wilful parade of cliches? Performances so bad they felt almost spiteful? Let’s just say “each and every one” and never speak of this show again. Except, a new season has been commissioned, so we’re probably going to have to.
The Charlie Sheen Documentary
Given the restraining orders, domestic violence allegations and parental shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d really have gleaned it from this multi-part docuseries which smirked its way at Sheen’s various bouts of self-destructive excess while struggling to tell us anything we weren't already aware of. Instead, it felt as if this loose cannon was being pandered to, so any pity this show might induce should be saved for the people who have had to endure close contact with this charming but flippant egotist.
The Iris Affair
Naturally we understood it was ridiculous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of sheer admiration for its stars … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. Talk about giving up the ghost.
MobLand
Dodgy figures meeting in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.
Actually, that is harsh on the gangland dramas of the late 90s. Many seem a bit dated now, but at least they didn’t suffer the embarrassment of having to accommodate baffling accents. But there were plenty of other issues. Primarily that it was just really dull; a conflict over drug-selling territory between various cockney picaresques which felt rather simplistic.
The Meghan Markle Series
Given the extent to which she provokes the ire of certain ostentatiously enraged commentators, it’s temptingly easy to applaud the Duchess of Sussex’s televised forays into quaint lifestyle as deliberate provocations. But then you view them and are forced to admit that in this case, they might have a point. It’s like watching a lifestyle catalogue come to life; a meme for evening drinks with delusions of grandeur; a procession of sleeping dogs, buzzing beehives, sentimental platitudes and forgettable crafting “tips” you’ll forget instantly. All supported by vast, largely unearned wealth. Ugh.
Victoria Beckham
There are clearly fascinating things to be discussed about both Victoria Beckham and her journey with career, identity, self-worth. But for whatever reason, this documentary series opted not to say them. Instead, the viewing was like reading a sales brochure. She clearly has good reason to resent what she describes as her “stern” image. But sadly, she didn’t do herself any favours with this guarded non-event of a series.
The Inheritance
It had the potential to be the next cultural phenomenon – except even more extravagant, with a famous star as a deceased benefactor and a well-known personality managing her estate. What more could you ask for? As contestants competed, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s still too confusing to detail what precisely was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a programme that was trying way too hard to live up to something far greater than it.
The Lena Dunham Romcom
How do you succeed a show that captured a generation? The expectation was enormous for this glitzy romcom about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The star took her biggest role by the horns and was joyous to watch, reveling in Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was not enough. Plus, the sheer amount of celebrity friends involved felt icky.
Mitchell & Webb Are Not Helping
Not even good enough to be ‘patchy’.
Given the shrewd recruitment of talented emerging comics, expectations were high. But unhappily, most of it didn’t land. A particular sketch was a one-note joke milked to a husk but recurring in every episode. One star seemed too ready to slip into a familiar ranting mode. The behind-the-scenes sketches, in contrast, simply provoked the idea that they should probably have stayed in there a bit longer.
The Twisted Tale of Amanda Knox
This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be handled with care. Instead, the series struggled painfully to find the right voice, lurching from oddly jaunty, slightly stylised farce to ultimately, real-life horror. Twisted? Perhaps. A complete mess? Very much so.
Prime Target
We admire the star … but did we buy him playing the most brilliant maths genius since, a man so intelligent he’s on the verge of a discovery that could ruin society? Nope! This international thriller about secret services spying on – and eliminating – intellectuals frankly got more farcical by the second. Silliness-by-numbers.
The Bonnie Blue Documentary
This hagiography followed the content creator renowned for explicit escapades as she undertook her biggest challenge yet. What on earth would motivate her? What we wanted was far greater interrogation of her true psyche, plus those of the men in the line. They could at least have spoken to the now-famous mum who appeared to haul her son away from the queue. What we got was disturbing imagery and zero critical analysis of her infamy whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.